Author Archive

Where Do We Come From? What Are We? Where Are We Going?

February 19, 2012

"Where Do We Come From? What Are We? Where Are We Going?" - Paul Gauguin

One of my favorite paintings is Paul Gauguin‘s “Where Do We Come From? What Are We? Where Are We Going?”. The painting is meant to be read from right to left and shows the different periods from a woman’s lifetime. The three women on the right show the beginning of that life, the group in the middle symbolizes the journey through adulthood, and the final figure is an old woman reflecting on and coming to grips with all she has been through.

This image often flashes in my minds eye, especially the central figure. The way she grabs that fruit, maybe from the Tree of Knowledge for all I know, with no regrets… getting ready to take a bite. I think she is beautiful. This painting, and all the women in it, are beautiful.

Flowers

February 14, 2012
   

Some flowers I did a few years ago that I thought I’d post today. Enjoy!

toddpowelson.com

Man Ray’s Mouth

February 12, 2012

ArtDuh owes a debt of gratitude to Dada artist Man Ray, mainly because he provided the inspiration for one of our logos, the infamous floating lips. I don’t know that I was really thinking of Man Ray when I decided on that logo, but while I was working on it, I knew exactly where it came from.

I seem to write a lot about the artwork I’ve been thinking of most in the week leading up to my Sunday post, and today’s post is no exception. For whatever reason, I’ve caught myself repeatedly imagining giant lips floating like a spaceship over the valley. Will those lips laugh at us? Will that mouth take a bite? Or maybe it’ll just continue to hover and smile… I dunno, but I know I like the image.

Man Ray was an American artist, born in Philadelphia, who later moved to Paris and became a leading figure in the Dada and Surrealist art movements of the early 20th century. He is probably best known for his work in photography and film, but his paintings are pretty nice too!

Mwah!

manraytrust.com

Jim Henson’s Tale of Sand

February 5, 2012

It came as a bit of a surprise to me that there was a comic, a graphic novel I guess, released in December 2011 that was based on an old and unused screenplay written by Jim Henson and Jerry Juhl. Henson had the idea for the script early on in his career, as far back as the 1950s, and in the 60s and 70s he and Juhl developed the story and shopped it around, but couldn’t ever produce the film because the story is so strange.

It all begins with the hero, Mac, stumbling into a strange town. He cannot quite figure out why everybody is celebrating his arrival with a parade, dance, and music. But the celebration doesn’t last very long though, and soon the sheriff approaches Mac and tells Mac to get outta town, while everybody turns against him.  Mac flees across the desert, and it isn’t a Gunslinger who followed, but he is hunted by a mysterious man “Patch”. What happens from there is a surreal dream sequence that I won’t even try to describe because, like most dreams, it is very far removed of everyday experience.

Artist Ramon Perez took the old script and did an amazing job translating it into a graphic format. His artwork is perfect for the story, as are his layout and design work. Even though it is a strange story with almost no words, Perez made it easy to follow and understand. I think that is what I like the most about this book, the story is told perfectly in a graphic format with almost no words. I love that.

www.archaia.com | Jim Henson’s Tale of Sand

www.facebook.com | Jim Henson’s Tale of Sand

henson.com

Peter Schmidt

January 29, 2012

Abstract Organic Form

Lately I find myself going back, and back again, to check in on the work of Peter Schmidt. There is just something about his drawings, prints and paintings that keeps calling to me. I like pretty much all of his work… the interiors, landscapes, and his more abstract pieces.

Schmidt’s background is interesting too. He was born in the early ’30s in Berlin, and his family fled from Nazi Germany to England in ’38, finally settling in London during the Blitz. Schmidt intended to become a mathematician, and didn’t start painting until his late 20s. In addition to painting, he went on to study printmaking, photography, film and animation. Schmidt has also published a number of books. I first became aware of Schmidt because of his collaborations with, and album artwork for, musician Brian Eno. Schmidt died suddenly in 1980 of a heart attack.

www.peterschmidtweb.com

www.rtqe.net/ObliqueStrategies

   
   
   

Matisse’s Color

January 22, 2012

Red Studio

The Goldfish

Today is a good day for taking a little time and looking at the colors of Henri Matisse. I love, love, love bright shiny colors, and Matisse used color like nobody else.

I’m thinking mostly about his interior scenes and still life paintings. So perfect.

It’s Sunday! Sit back, relax, and look at some work by Matisse.

www.henri-matisse.net

The Window

My Dead Friends

January 15, 2012

Be sure to come on down and see Anna’s artwork at Ulysses! Tonight is the night. You’ll also enjoy dance performances by the 14th Ward, and traditional depression era treats! Yummy!

“My Dead Friends is a show dedicated to the mothers, grandmothers and great grandmothers who are now passing the yarn and hook to me and my generation. This show is a message to my sisters: Ready or not, here it comes. If we let the domestic arts die, resurrection seems unlikely at this time.”

Anna WestArtist, Dancer and Small Business Owner

Ulysses

629 South State Street, Salt Lake City, UT 84111
Jan 15 to Feb 19
Wake and Last Rites, Jan 15, 6 to 8 p.m.

www.facebook.com | My Dead Friends

Imagination

January 8, 2012

Imagination - by Todd Powelson

These last few weeks have been pretty busy and chaotic and I haven’t had a whole lot of time to write anything up. I hope you enjoy this picture instead! It is something I drew a few years ago, but has been on my mind a bit lately.

William Blake

January 1, 2012

Job's Evil Dream

The Whirlwind: Ezekiel's Vision

I must create a system or be enslaved by another mans; I will not reason and compare: my business is to create.

These last few weeks, poetry has kind of taken over here at ArtDuh. This is a good thing, because I love the ideas and imagery words can inspire. William Blake is one of my favorite poets, and also one of my favorite visual artists. I’ve been thinking about him a lot these last few months, and he has kind of been weighing on my mind, and even my soul if you want to know the truth. I just can’t seem to shake some of his words and imagery.

Whore of Babylon

Blake’s work is very unique, and to simply label him as a poet or painter misses the mark. Maybe he is more of an insane prophet, ranting wonderful mad dark angelic dream visions. The truth is, there is nobody like Blake. Apprenticed as an engraver, he went on to publish most of his own work. His books usually had the verse on one page, with an accompanying image on the facing page. Image and verse are meant to interact and go together.

They told me that the night & day were all that I could see;
They told me that I had five senses to inclose me up.
And they inclos’d my infinite brain into a narrow circle.

- Visions of the Daughters of Albion (excerpt)

Seven Spirits of God

Blake’s path was set before him at a very young age. When Blake was four years old, a spirit poked his head into Blake’s window and told Blake to be an artist. These spirits and angels would visit him throughout his life, providing inspiration, insight and instruction. Blake would say that whenever we are generous and kind, whenever we realize the potential inside ourselves, we are artists. For him, that is creativity, and what an artist is. The life you build can be your art, and the world we make is the artwork. Life and art are the same thing. God is creativity.

Portrait of Newton

Blake illustrates a certain darkness too. That darkness shows our shortcomings, when we’ve latched on too tightly to dogma and orthodox systems, or when we succumb to base emotions. Lack of creativity is caused by emotions like jealousy, or because we’ve allowed religious or political systems to define and limit our world. He saw science as ignorant. And industry, when valued over human life and potential, as evil and inspired by Satan.

The ancient Poets animated all sensible objects with Gods or Geniuses, calling them by the names and adorning them with the properties of woods, rivers, mountains, lakes, cities, nations, and whatever their enlarged & numerous senses could perceive.

And particularly they studied the genius of each city & country, placing it under its mental deity;

Till a system was formed, which some took advantage of & enslav’d the vulgar by attempting to realize or abstract the mental deities from their objects: thus began Priesthood;

Choosing forms of worship from poetic tales.

And at length they pronounc’d that the Gods had order’d such things.

Thus men forgot that All deities reside in the human breast.

- The Marriage of Heaven and Hell (excerpt)

Urizen

Blake lived during a time when the world was becoming more and more mechanized, and peoples lives were spent working in dirty factories, defined by the clock. He reacted against the machine by turning towards nature and the spirituality. He believed if we could drop our preconceived ideas, recognize and  experience each moment as unique, immediate and spontaneous, then we’d “see a world in a grain of sand, and heaven in a wild flower”. Each moment, and every object, is unique and undefinable. Blake reinforces this by tearing words and symbols away from their traditional meaning, and giving them a new definition.

Pity

Blake’s poems are too long to include here, even these excerpts make this post seem like a long rant, and there are so many beautiful images I cannot display. But do a little research and become acquainted. Or revisit Blake. It’s a good day for it!

www.blakearchive.org

www.william-blake.org

The Great Red Dragon and the Woman Clothed with the Sun

Merry Christmas

December 25, 2011

"The Couple in Lace" - 1925

Have a very Merry Max Ernst Christmas!


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