Archive for the ‘Illustration’ Category

Hexen 2.0

October 6, 2013


I’m able to listen to a lot of audio-books and podcasts while I work so, of course, I do. One of the podcasts I look forward to each week is Expanding Mind, and about a week or two ago they interviewed artist Suzanne Treister about her new tarot deck and book, Hexen 2.0

I’ve always liked looking at old alchemical charts and diagrams, and that is what Treister’s work reminded me of. Even though I don’t really use them, I’ve also been intrigued by the tarot. I like looking at the different decks and have thought for a very long time that the artwork illustrates very powerful symbols.

I decided to get the Hexen 2.0 book, and I’m glad I did. I enjoy the artwork very much, but what I think I like the most is that each card uses a historical person or event to illustrate the meaning of that specific card. Although with other decks I think I might have an almost intuitive understanding of each symbol (we all probably do), Treister’s deck helps make it a little more clear. I like that and appreciate all of the work that went into her deck.

If you’ve ever had any questions about the tarot, this book might be a good place to start. | HEXEN_2_TAROT


WandsQ_HArendt TAROT_Emperor-DSinope
TAROT_Magician-Leary Chalices5_Lovecraft
TAROT_Sun-AnarchoP-PLA WandsKing_Tesla

Urban Arts Gallery

February 24, 2013


There is a new gallery at the Gateway that everyone should stop in and visit. Last weekend was the grand opening of the new Urban Arts Galley, and I am very impressed. It is a very nice and large space showcasing a number of different artists, and currently featuring the artwork of Jimmi Toro. A lot of very nice work! You’ll also find a boutique selling all sorts of local handmade stuffz.

There are also a number of events planned for the space, including dance performances, CONNECT, Gallery Stroll, and the Urban Arts Festival. Checkity-check!


November 4, 2012

“Raven” by Todd Powelson

Check it out… maybe you already know about TurningArt, but I really like their business model. It seems like a great new and modern way to discover new artists, and you’re even able to hang prints of those artists in your home with a monthly subscription. If you find that you like the print, you’re even able to buy the original from the artist.

If you’re an artist, its a good way to help find a larger audience. I’ve been a member and have posted my work for a few months now, and I’ve found everyone involved to be very supportive and helpful. They’ve gone out of their way to help get as many people looking at my work as possible, and the way they do it is very new and unique.

Take a look at what I have available in my TurningArt gallery, try it out, and hang it in your home :)

Charles Burns’ Monsters

October 31, 2012

I came across this picture by the great Charles Burns and knew it needed to be posted on ArtDuh!

Happy Halloweenie! | Charles Burns Bio

Art and Magick of Austin Osman Spare

October 28, 2012

The soul is the ancestral animals. The body is their knowledge.

- Austin Osman Spare

Austin Osman Spare was a magician and artist whose work and theories are very interesting to me because of the way he blends the two and finds a certain power there. He is definitely attracted to and influenced by the Symbolist painters of the ninteenth century, but Spare takes it to an even more personal level. He was born in Yorkshire, but moved to London at a young age. Trained as a painter and draftsman, he also worked as an illustrator and book-plate designer. Like a lot of his contemporaries, Spare became interested in Theosophy, and that was probably where his quest for occult knowledge began. He had a number of exhibitions in England, which were all well received, up to a point. There was a backlash, and some people thought his artwork was just too bizarre and unhealthy, as some people always do. Spare also began to publish his own books and grimoires. I first became familiar with Spare’s work through my interest in Surrealism, because there is a very strong and profound overlap, although I think that his theories and ideas developed independently.

Although I won’t go into it much here I am very interested in his ideas, philosophy, and writings. Artistically, his line work can’t be beat. I like most of his work, but am especially drawn to his automatic drawings and sigils. The way he blends text with imagery is very interesting, and his bookplates are exceptional.

The means used and the way it happens are simple, the inverse of scientific. I use a formula, created by instinctive guess and *arbitrarily* formed, not evolved by hypothesis and experiment. The law of sorcery is its own law, using sympathetic symbols.

- Austin Osman Spare


October 21, 2012

“Frankenstein’s Monster” by Todd Powelson

I like this spooky season, partly because I feel justified in posting my illustration of Frankenstein’s monster. I finished this years ago, but I’m still really happy with it. Especially when October rolls around.

It’s Adobe, Duh!

October 19, 2012

Today my interview was posted and I had artwork was featured on Adobe’s Creative Layer blog, Facebook, and Twitter pages. Check it out :)

Pretty cool!

R.I.P. Jeffrey Catherine Jones

May 29, 2011

Even as a kid I was never able to fully relate to or appreciate most fantasy artwork, which is kind of strange because I was obsessed with fantasy literature as far back as early elementary school. Just a personal preference really, and I liked looking at the monsters and all, but seeing some barbarian sitting on a throne of skulls just didn’t quite do it for me visually. There were a couple of fantasy artist whose work was stood out from everything else and I had to take notice. The first being Jeffrey Catherine Jones, whose work I probably knew because of their association with the second fantasy artist my eyes sought out and devoured, Barry Windsor Smith. These two, along with illustrators Bernie Wrightson and Michael William Kaluta, shared a workspace in New York through the late 70s. They all even published a book together, called The Studio, which collected their work from that time.

I followed The Studio artist’s careers in the 80s. I eventually drifted away from fantasy and comics, but by the mid to late 90s I started reading them regularly once again. I’d head on down to Sam Weller’s book store, maybe pick up an old copy of something by Fritz Leiber or Robert E. Howard. It wasn’t long before I realized that many of my favorite covers on these old books were illustrated by Jeffrey Catherine Jones. Covers for reprints of books and stories that I love, including Fafhrd and the Grey Mouser, Solomon Kane, Conan, Tarzan, and many others. Jones also had a regular strip in Heavy Metal, and won the World Fantasy Award for Best Artist in 1986.

In 1997 Jones quit illustration in order to pursue gallery work and a more Expressionist style. Born Jeffrey Jones, but always feeling more like a woman in her body, she also began hormone replacement therapy at that time. I also remember reading around 2002-03 or so on that she’d suffered a nervous breakdown, was having severe financial problems, and had been homeless for a few years. By 2004, she had a studio and was working once again. This last week I learned that she died after suffering from emphysema and bronchitis as well as hardening of the arteries around the heart. This news makes me very sad and nostalgic.

Rest in peace. You seemed like a brave soul and added a lot of beauty to my world. - Jeffrey Catherine Jones, 1944-2011


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