Archive for the ‘Sculpture’ Category

1913 Armory Show

March 3, 2013

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"Nude Descending a Staircase, No. 2" by Marcel Duchamp, 1912

“Nude Descending a Staircase, No. 2″ by Duchamp, 1912

If you have an interest in early 20th Century art or follow art history news you probably know that we just passed the 100 year anniversary of the 1913 Armory Show, a.k.a. 1913 International Exhibition of Modern Art. It is called the Armory show because the exhibit was first held in the U.S. Coast Guard armories in New York, although it later traveled to Chicago and Boston.

The 1913 Armory Show was really the first large scale exhibit of Modern Art in America. Although there were a number of Americans who had their work included in the show, it was probably the first time most attendees were introduced to the new artwork being created in Europe. Artists like Picasso, BraqueMatisse, Cezanne, Duchamp, Gauguin, Leger, Hopper, Bellows, Goya, Seurat, Derain, Van Gogh… and so many others as well, with more than 300 artists.

"Portrait of Mlle Pogany" by  Constantin Brancusi, 1912

“Portrait of Mlle Pogany” by Brancusi, 1912

This show was a powerhouse, and it must have been so impressive to see. Without a doubt, it changed the artistic style of many American artists and the direction of American art.

100 years ago… I would love to have been there.

artsy.net/armoryshow1913

armoryshow.si.edu

nytimes.com | Armory Show

"The Blue Nude" by Henri Matisse, 1907

“The Blue Nude” by Henri Matisse, 1907

Urban Arts Gallery

February 24, 2013

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There is a new gallery at the Gateway that everyone should stop in and visit. Last weekend was the grand opening of the new Urban Arts Galley, and I am very impressed. It is a very nice and large space showcasing a number of different artists, and currently featuring the artwork of Jimmi Toro. A lot of very nice work! You’ll also find a boutique selling all sorts of local handmade stuffz.

There are also a number of events planned for the space, including dance performances, CONNECT, Gallery Stroll, and the Urban Arts Festival. Checkity-check!

utaharts.org/locations/urban-arts-gallery

www.facebook.com/UrbanArtsGallery

The Lion Man

February 10, 2013

lion-man1

I love primitive artwork. As a matter of fact, I’m kind of obsessed with it. Of course, it is a connection with the past, and while looking at it I can almost travel back in time and be reminded how it felt to live in the animal past.

I read a couple of articles this week about how new carbon-dating has shown Germany’s “Lion Man” to be among the oldest known pieces of figurative art. I am used to hearing about the ancient “Venus” fertility sculptures, which are also beautiful and very old, and was told they were the oldest known carvings. But I guess there were human / lion hybrid being carved at the same time as the oldest Venus.

I am fascinated by the anthropomorphic hybrid. Always have been. These imaginative representations have appeared in the most ancient artwork of every civilization. The Lion Man reminds me that these hybrid images and sculptures have inspired human beings for tens-of-thousands of years. Long before any known civilization. I don’t know why that fascinates and inspires me so much, but it really does!

news.sudanvisiondaily.com | Lion Man
online.wsj.com | Powerful Images from a Primitive Age

Myron Dyal

January 13, 2013

MyronDyal1

figureI’m interested in Gnostic ideas, and regularly listen to the podcast Aeon Byte. On a recent show (Schrodinger’s Diary Episode 11) artist Myron Dyal was interviewed, talking about his artwork and how it has been influenced by his epilepsy. Throughout history there have been many artists who are epileptic, Van Gogh probably being the most well known.

While listening to the podcast, I became curious about Myron Dyal’s work. I’m especially impressed with his painted paper-mache sculpture. Enjoy the pictures of his work in this here post. Dyal’s ideas, imagination and history are also very interesting. If you’re wanting to learn more about him, you can check out the video linked below and listen to the podcast mentioned above.

myrondyal.com | video

 brick_elementals  MyronDyal2

Picasso’s Parade

November 16, 2012

“Curtain for the Ballet Parade” -1917

In 1917 Picasso did some set and costume design for the Jean Cocteau’s ballet Parade. Picasso created the curtain above, along with the cardboard cubist costumes below. Picasso hasn’t been on the ArtDuh homepage for a while, and I was thinking about his costume design today for some reason, so it seemed like a good time to post these images. Enjoy!

“East Meets West” in Ghost Town Cisco

October 7, 2012

It must have been as far back as the summer of 1996. Not all that often, but occasionally that summer I’d travel down to the ghost town Cisco to do some weekend work in the surrounding area and earn a little extra cash. It was kind of nice to get away from time to time. Cisco is a small rusted out and dilapidated town located in the desert about 50 miles east of Green River, abandoned years and years before I ever arrived. The work I was doing wasn’t hard at all, but it could be kind of spooky because there was absolutely no one else around. There was a little trailer set up among the abandoned buildings that I was able to spend a night or two in as I got my work done, but not much else going on except maybe a bird flying overhead, or maybe a tumbleweed rolling along. The truth is, I didn’t mind much at all. I kind of like and find peace in solitude, and the landscape and sky down there are inspiring. Still, it is easy for my mind and imagination to wander, and I can really spook myself sometimes.

Earlier that year, some artists had come down and taken over one of the abandoned buildings. They built sculptures, painted and hung photos, and turned the place into a remote art installation and sort of gallery, and then left town to find their next project. I was always aware of their building, because one of the sculptures was made of strung up twine or wire and, when the wind would blow, the piece would whistle and create these very weird and eerie sounds. And the wind blew down there a lot, pretty much all the time.

Of course, I was interested in that building. I had to check it out. Crossing the field behind the building I came across a rattle snake, which was maybe an omen of some kind, but I just moved around it no big deal and made my way to the door. I remember the sky was sunset red, which isn’t all that important, but it seems somehow significant now and really stands out in my mind. As soon as I entered the building, I saw rattlesnakes again, crawling in all of the corners. They seemed to have a place to go though, and quickly disappeared into the floor or retreated around corners. I’d already come into the building by then and didn’t feel especially threatened, although the floor did feel kinda “soft”, and I imagined myself falling through it into a rattlesnake den or something. Since I was already in the main room, I looked around. There was a smashed TV, old abandoned toys and dolls, some broken furniture, weird old cowboy boots mounted on shovels or something, and hung along one of the walls was a row of photos. It was a row of portraits, but they showed the back of peoples heads. I checked it all out but didn’t stick around in there too long, because it was a creepy scene, and I did like the sculpture out front a little more. That noisy one. Then I went back to the trailer, read for a while, fell asleep, and haven’t thought about Cisco much since. Except maybe I have…

The only reason I bring it up now is because I dreamed I was there again last night. I dreamed I was in that room with all of those snakes, the broken furniture, looking at photos of the back of peoples heads, a sun-burnt sky glaring through the shattered windows, with these bizarre and spooky sounds blaring in my head. The actual real-life experience was nowhere near as freaky as my dream. It wasn’t pleasant, but I guess that experience meant something, since it woke me up in a panic in the middle of the night some 16 years later.

When I got up this morning, I did a quick search to see if I could find any more information on the art installation. I guess Time Magazine did a write-up on it the next year, and I have posted that below:

Drown with Jason de Claires Taylor

September 23, 2012

The work of Jason de Claires Taylor has been making the rounds on the world wide web, and with good reason. His sculptures entrance, and I want some pictures of them here on ArtDuh.

I’ve get completely geeked out when I hear of some sculpture or ancient treasure pulled up from the bottom of the ocean. I love history, especially from the ancient world. I love to see ancient artifacts! Even though Taylor’s work is very modern, I still get that sense of time. It feels like I’m watching as nature swallows up whole civilizations.

Rather than pollute this post with too many words, I’ll just show some pictures. Hope you enjoy looking as much as I do.

youtube.com/user/divetaylor

underwatersculpture.com

James Prosek Bones

August 26, 2012

When I was a very little kid, I remember walking through my grandpa’s ranch, which was just outside of a small town in Wyoming. I found all of these old cow bones scattered across the ground and, to my young self, they were more precious than gold. So beautiful to look at, see and touch. I collected as many as I could, carried them back to my grandparents house (probably in multiple trips, because I had a lot), and reassembled them all over the lawn. I’m am sure that experience played some part in how my interests and aesthetic developed. I was amazed at how perfect those bone shapes flowed and played together.

It didn’t last long though because those bones really disturbed my grandma. She told me I was probably catching all sorts of diseases, and I had to take them back to where I’d found ‘em (Haha! Since I was already infected I guess). This is a funny memory, but also a magical one. When I was doing more sculpture I’d often incorporate the old bones I’d find in the desert, or maybe up Logan and Lambs canyon, into my work. I still find bones to be incredibly beautiful.

But I never thought to use them like James Prosek. He takes the bone’s natural shape and plays. I recently came across some photographs of his show at the National Academy of Science in Washington, DC. Fantastic! Prosek is also well known for work involving taxidermy, as well as his paintings of fish and wildlife. In addition, he has some books that I want to get. Like Prosek, I love animals more than pretty much anything. But those bones… wow! I also love them bones!

troutsite.com

waqaswajahat.com

amazon.com | James-Prosek

   
   
   

Pencil Tip Sculpture

August 14, 2012

The Last Elephant 2012
carved carpenter’s pencil (graphite & wood)
5 1/4″h x 5/8″w x 1/4″d (13.3cm x 1.6cm x .6cm)

Growing up, I would spin the last bits of scrap from my leftover origami paper into the tiniest cranes I could muster. Clearly, I’ve been outdone. Artist Diem Chau has carved an elephant sculpture from the tip of a carpenter’s pencil, whittling away the graphite and the wood.

Chau says her “current work drifts into new territory by exploring the periphery of the narrative, moments forgotten and faded, or too brief to retain.” I find this objective to be in sync with her motivation for creating the elephant. According to her blog, she says she was saddened and disgusted when she discovered that the founder of Jimmy John’s Gourmet Sandwiches went on a safari and killed an elephant.

“I wanted to make something beautiful and sad,” says Chau on her blog. “I feel his loneliness.”

I find it beautiful that Chau’s love for story keeping inspired her to create a memorial on the tip of a pencil, an object intended to aid in remembrance. See her other pencil sculpture and works on her blog.

Lucy Glendinning and the Feather Children

August 5, 2012

Feather Child 1

Folding Girl

Earlier this week I came across Lucy Glendenning’s website, and I can’t get her work out of my mind. I imagine myself meeting her Feather Children on one of my walks up the canyon. Maybe stumbling across it’s nest or something. I kind of hope I do one day soon, because I expect they’d have a lot to tell me about.

Here is a nice description of her Feather Child series from Glendinning:

The suite “Feather Child” originates from Glendinning’s fascination with visions of a future society. The feathered children are embodied questions, where the artist is asking us if we, in a world where our genetics could be freely manipulated, will be able to resist altering our physical abilities. Will necessity or vanity be the ruling power? Will we act collectively or as individuals? The fragility of the feathers is simultaneously mirroring the perhaps most classic tale of human hubris: the fate of Icarus in Greek mythology. How far can humanity progress before everything falls apart?

Feather Child 2

Feather Child 3

Feather Child 4

Feather Child 5

Faith

Skins 2


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